it’s no use worrying about Time

“Animals”

Have you forgotten what we were like then
when we were still first rate
and the day came fat with an apple in its mouth

it’s no use worrying about Time
but we did have a few tricks up our sleeves
and turned some sharp corners

the whole pasture looked like our meal
we didn’t need speedometers
we could manage cocktails out of ice and water

I wouldn’t want to be faster
or greener than now if you were with me O you
were the best of all my days

by Frank O’Hara

The children come to the banks to be healed

I was just on the phone with my dear friend Killeen and randomly asked her for a poet recommendation because I needed inspiration for tonight’s post. She suggested the German poet Lisel Mueller (1924-), whose work I had never read until 30 minutes ago. And now I find myself liking so many of her poems that I can’t choose just one. So here are two shortish pieces by her. (Thanks Killeen!)

“Bedtime Story”

The moon lies on the river
like a drop of oil.
The children come to the banks to be healed
of their wounds and bruises.
The fathers who gave them their wounds and bruises
come to be healed of their rage.
The mothers grow lovely; their faces soften,
the birds in their throats awake.
They all stand hand in hand
and the trees around them,
forever on the verge
of becoming one of them,
stop shuddering and speak their first word.

But that is not the beginning.
It is the end of the story,
and before we come to the end,
the mothers and fathers and children
must find their way to the river,
separately, with no one to guide them.
That is the long, pitiless part,
and it will scare you.

~~~~~~~~~~~~~~~~~~~~~~~~~~
“Things”

What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.

We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,

and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.

Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.

I was your nightgown

“Young Love”

by William Carlos Williams (1883-1963)

What about all this writing?

O “Kiki”
O Miss Margaret Jarvis
The backhandspring
I: clean
clean
clean: yes . . New York

Wrigley’s, appendicitis, John Marin:
skyscraper soup—

Either that or a bullet!

Once
anything might have happened
You lay relaxed on my knees—
the starry night
spread out warm and blind
above the hospital—

Pah!

It is unclean
which is not straight to the mark—

In my life the furniture eats me

the chairs, the floor
the walls
which heard your sobs
drank up my emotion—
they which alone know everything

and snitched on us in the morning—

What to want?

Drunk we go forward surely
Not I

beds, beds, beds
elevators, fruit, night-tables
breasts to see, white and blue—
to hold in the hand, to nozzle

It is not onion soup
Your sobs soaked through the walls
breaking the hospital to pieces
Everything
—windows, chairs
obscenely drunk, spinning—

white, blue, orange
—hot with our passion
wild tears, desperate rejoinders
my legs, turning slowly
end over end in the air!

But what would you have?

All I said was:
there, you see, it is broken
stockings, shoes, hairpins
your bed, I wrapped myself round you—

I watched.

You sobbed, you beat your pillow
you tore your hair
you dug your nails into your sides

I was your nightgown
I watched!

Clean is he alone
after whom stream
the broken pieces of the city—
flying apart at his approaches

but I merely
caressed you curiously
fifteen years ago and you still
go about the city, they say
patching up sick school children