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Archive for February, 2013

“Detail of the Hayfield”
 
 
I followed myself for a long while, deep into the field.
Two heads full of garbage.

Our scope was larger than I realized,
which only made me that much more responsible.

Yellow, yellow, gold, and ocher.
We stopped. We held the field. We stood very still.

Everyone needs a place.

You need it for the moment you need it, then you

   bless it–
thank you soup, thank you flashlight–

and move on. Who does this? No one.

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Perishable, It Said

by Jane Hirschfield

Perishable, it said on the plastic container,
and below, in different ink,
the date to be used by, the last teaspoon consumed.

I found myself looking:
now at the back of each hand,
now inside the knees,
now turning over each foot to look at the sole.

Then at the leaves of the young tomato plants,
then at the arguing jays.

Under the wooden table and lifted stones, looking.
Coffee cups, olives, cheeses,
hunger, sorrow, fears—
these too would certainly vanish, without knowing when.

How suddenly then
the strange happiness took me,
like a man with strong hands and strong mouth,
inside that hour with its perishing perfumes and clashings.

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trees at the Gorge
 
This poem by Adrienne Rich reminds me of of the fragile paradise Denise Levertov describes in a piece I posted last year at around the same time. If you have a moment, read the two side by side. And if you have another moment, listen to Adrienne Rich read this particular poem here
 
 
“What Kind of Times Are These”
 
There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won’t tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.

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