I’m here to tell you the tide will never stop coming in.

illustration ocean coming onto the shore with clam shaped seashells scattered across the sand
Art by Kristina Closs

Spoiler
by Hala Alyan

Can you diagnose fear? The red tree blooming from uterus
to throat. It’s one long nerve, the doctor says. There’s a reason
breathing helps, the muscles slackening like a dead marriage.
Mine are simple things. Food poisoning in Paris. Hospital lobbies.
My husband laughing in another room. (The door closed.)
For days, I cradle my breast and worry the cyst like a bead.
There’s nothing to pray away. The tree loves her cutter.
The nightmares have stopped, I tell the doctor. I know why.
They stopped because I baptized them. This is how my mother
and I speak of dying—the thing you turn away by letting in.
I’m tired of April. It’s killed our matriarchs and, in the back yard,
I’ve planted an olive sapling in the wrong soil. There is a droopiness
to the branches that reminds me of my friend, the one who calls
to ask what’s the point, or the patients who come to me, swarmed
with misery and astonishment, their hearts like newborns after
the first needle. What now, they all want to know. What now.
I imagine it like a beach. There is a magnificent sand castle
that has taken years to build. A row of pink seashells for gables,
rooms of pebble and driftwood. This is your life. Then comes the affair,
nagging bloodwork, a freeway pileup. The tide moves in.
The water eats your work like a drove of wild birds. There is debris.
A tatter of sea grass and blood from where you scratched your own arm
trying to fight the current. It might not happen for a long time,
but one day you run your fingers through the sand again, scoop a fistful out,
and pat it into a new floor. You can believe in anything, so why not believe
this will last? The seashell rafter like eyes in the gloaming.
I’m here to tell you the tide will never stop coming in.
I’m here to tell you whatever you build will be ruined, so make it beautiful.

from The Moon That Turns You Back

I pray that when I am gone, my people speak as sweetly of me as I do of them

Dear readers, friends,

We find ourselves at the end of National Poetry Month once again. Thank you for joining me on this verse-filled journey; I hope you found some words and images that spoke to you along the way.

Special thanks to Kristina Closs, who brought a whole other layer to the poems with her illustrations–and always helped me see the poems in new ways. If you enjoyed her work, please visit her website, where you can purchase prints (including the ones inspired by this month’s poetry!)–or contact her for custom commissions, which she will gladly work on with you.

The final poem I’d like to share with you this April, which is not only National Poetry Month but also Arab American Heritage Month, is by the Palestinian American poet Tariq Luthun. This is a poem I feel in my bones–the home Kristina drew into the illustration is actually a rendering of what was once my great grandparent’s home in Tulkarm, a Palestinian city in the West Bank. Here’s to a day when everyone has a home for the tea to settle, a haven for the mint to steep.

an illustration of a house in Palestine surrounded by mint leaves with landscape in the back
Art by Kristina Closs

I GO TO THE BACKYARD TO PICK MINT LEAVES FOR MY MOTHER

Today, my mouth fell
wide when I saw the light
slip into the hills, and those boys

I grew up with did not
come back. Or, so I hear. Mama
would often ask me to gather

the mint leaves from behind our home,
and so I would leave for this
nectar – without it, there is nothing sweet

to speak of. I pray that
when I am gone, my people speak
as sweetly of me as I do of them.

I see us, often, steeped
in the land and hope that
a shore remains

a shore – not a place to become
yesterday. The girls have joined the boys
now – all of them

tucked just beyond
the earth. But I know they wouldn’t run
from their mothers – not without a fight,

a chase, a hunt, a honey, a home
for the tea to settle; a haven
for us to return to.

from How the Water Holds Me

and we forgot to eat them

an illustration of strawberries spilling out of a carton with a gray road like background behind it
Art by Kristina Closs

Ode to Hunger

by Zeina Hashem Beck

How I crave the strawberries
we bought on a road
in Cyprus the day we got married.
Their scent was divine & we forgot

to eat them.

from O